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At 22:17 -0600 09-01-2008, Carey Weathers wrote: Transparencies (from my experiments) allow you to fade between two settings. The setting in the higher layer and the lower-mixer value.
1. Place a few generic RGB fixtures on the stage, and set view to color indicator. 2. I use layer A as submaster layer, so set layer A to Transparent mode at 100%. 3. Select all RGB fixtures and type v, 0 option enter, in order to activate the RGB channels with a DMX value of 0. 4. Select layer B (we use it as cue or manual layer), and set the color (RGB) to 60, 100, 20% (light green/yellow) Now look in the DMX monitor to the DMX output (NOT light) channels in % mode, you will see 60, 100, 20% If you change the transparency of layer A to e.g. 50%, it becomes 30, 50, 10. If you set it to 5%, it becomes 2, 2, 0, and at 0% they are all 0. On the stage the color of the fixture is not changing, just the intensity! If you set the transparency back to 100% the original 60, 100, 20 % values are back. The same effect can be done with the Intensity master, but you will NOT see it on the stage, but -only- in the DMX output values. Also with Intensity master, you can go higher then 100%. Put the master to 199%, and you will see 100, 100, 40 %, but it restores the original values when you set it back to 100% Conclusion: The LanBox has masters, and you can make sub-masters with a transparency layer. You can create sub-master fades by using a layer A action which runs in a control layer: set layer A to mix transparent from 0% to 100% in 5.1s Will fade-in the submaster in 5.1 secs, this will give a real RGB intensity fade, without color disturbing ;-) I admit it's not simple, but for a low-cost DMX controller not bad. The biggest problem is understanding the working of the box, and how to set-up the projected target goal. I hope this helps a bit, in understanding Intensity masters, and the usage of transparency in a layer. Transparency and Add mode can also be used for dynamic re-position of pan/tilt moves, but that can be found in the archive. Regards, Fokko van Duin
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