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You're absolutely right, the manuals are lousy. It took me a day to run my LCE, the IP adress is in one of the manuals, while the needed password is in a tutorial. Then it took me a day to get my moving head going, as I had to define the fixture definition myself. Same thing, manual only tells you half the work. I found out you had to add 1 for every parameter. Why? Where in the manual (and which manual?)does it say so? Then I tried to get it to work properly, getting lightcues in the ratchet thing. That turns out to be a chalenge, try to make a split-time cue for instance. Crazy. And hardly any control over the playback, the only way to see the output is a small line of figures where you have to scroll if I want to see the output of i.e. DMX 100. Or did I miss a screen where I can check the output in one look? It's possible that it's hidden in one of the many manuals, but I didn't find it. After a few days I gave up. It's a pity, the hardware looks good, allthough I find it strange that the display is at the same side as the plugs, but the program is not suitable to work with in a theatre, especially if you are touring with a group, as I am. It just takes loads of time to program, time I don't have. I have to be able to set up, change cues and moving lights according to the venue in a few hours. That is possible with a dedicated lightcomputer such as a Compulite or Strand, but not with LCedit. I've put mine on a shelf, I'm not using it anymore, 450 euro's down the drain. But it's my own stupid fault. I should have asked around first. Now that I tell my colleagues of this adventure they tell me the same thing over and over again: LCedit is not suitable for theatre work, some of them have tried longer, one even tried to tour with it, with helarious results. I'm going to trie another DMX interface with another program. Unless somebody knows of a better program to run on the LCE. So, Andrew, good luck, Rob
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